These are a few paintings from Stefan à Wengen, a Swiss artist based in Germany. His work is often times dark, mysterious, and I particularly love his “Occurrence” series, which I have presented here. The paintings make you ask questions, what happened? why? where? Your imagination spins off in a multitude of directions, fuelled by his landscapes and creatures, who seem furtive, perhaps trying to escape, flying off canvas, and creeping into shadows. The mood seems one of the hunter or hunted.
He includes an interesting interview in his website, an excerpt of which I have included here.
Where does your interest in night, darkness and desolation come from?
That is not an easy question! I try to answer;
I try to work with things I do not understand like death, sexuality and time. Since my childhood I am fascinated in things I tried to understand but nobody could explain me, for example where melancholy comes from, why do I have depressing days, why is alienation so alien, why is the night sometimes frightening and at the same time so beautiful and protective.
There is always light in the dark, there is always good in evil – or like Lautréamont once said: “Like Baudelaire, like Flaubert, he too believes that the aesthetic expression of evil implies the most vital appreciation of good, the highest morality.”
Or to tell it in an other way:
I always felt the idyll seems uncanny to me, the idyll of a fancy suburbia for example implies to me a great deal of violence to keep up the idyll as such, to keep up the atmosphere of this area, that suggests, that there is always Sunday. These things make me angry and are fascinating me at the same time.
There is no black or white, there is neither a grey, but there can be black and white… you know what I mean…
And doesn’t have everybody a dark side? Don’t we enjoy the execration sometimes – beside it helps to keep up our cardiovascular system?