Henrik Uldalen

Henrik Uldalen

Henrik is a self taught artist from Norway. He is pretty crafty with his oil paints, isn’t he? I discovered Henrik’s art sort of by accident, although I’m sure I would have come across it eventually, as he has a number of exhibitions lined up for next year in the US and in the UK. He was also the cover artist featured on vol. 24 of Hi Fructose magazine. I kind of think that my way of meeting Henrik was more serendipitous. Henrik moved to Barcelona at the beginning of this month, and rented a room in my apartment for a couple of days, while he sought his own studio space. We met up for a beer to chat about art and Barcelona, and I discovered, while I enjoyed the sun and Henrik the shade on the terraza in Plaça del Sol, that he almost didn’t become an artist at all! It was only after he took up oil painting that he was able to capture his imagination and was able to project these in the way that he wanted. His suspended floating figures drift through space and forests and almost astrotravelling through distorted landscapes, resulting in a splendid diorama of dreamyness. Do have a look at all his paintings on his webpage, and become a fan on facebook. Henrik! Let’s do it again!


When I first came across the artworks of Moki, it was in her book “How to Disappear” which I couldn’t put down, and took home with me right away, where I spent hours pouring over her beautiful paintings. Now based in Berlin, her detailed paintings are dark, and intriguing.

Her images are unsettling and charming, strange yet familiar. They feature lonely northern landscapes: isolated Scandinavian and Icelandic terrain, a subarctic frozen lake continent, untouched caves and moss meadows, and mountains sculpted into anatomical shapes by wind and water. Animals and humans emerge and dissolve into their environments. Within the solitude of nature, disappearing seems an obvious act. (source)

Visit her website and blog to see more fantastic artworks.

Amy Ross

Amy Ross writes “I am interested in the idea of artist as mad scientist. My drawings offer visual hypotheses to the question: what would happen if the DNA sequence of a plant or mushroom were spliced with that of an animal? Using graphite, watercolor, and walnut ink on paper as well as directly on gallery walls in site-specific installations, I portray animals morphed with branches, mushrooms, berries, and blossoms, thus forming implausible hybrid creatures. These images subvert the traditional genre of botanical illustration by approaching the close study of the natural world through the lens of genetic engineering and mutation gone awry.”

Her delightful images make your face smile as you imagine small mushroom birds bursting from the soil or hopping along branches. The delicate colours emphasise the unusual creatures created from both foliage and fur or feathers. Her attention to detail, and delicate renderings of shadow, smudge, beak and eye make you wish that her mad creations existed somewhere in the world. And perhaps they do! Find her work here.

Tiffany Bozic

Tiffany Bozic grew up in Arkansas amongst the natural elements on a farm. Working with acrylic paint on mapel wood, her observations of nature are both striking and dark. Living and working in San Francisco, she has shown her work in a multitude of galleries. Her art inspired by J J Audubon as well as notions of power, grabs your attention. Fascinating compositions, attention to detail and showcasing curious relationships between fauna and flora which blossom and bloom from the panels.


Ralph McQuarrie

Ralph McQuarrie’s art must look familiar to generations of movie goers, his work featured in Star Wars, Battlestar Gallactica and a slew of sci-fi flicks. He was a conceptual artist, and past away this year in March at the age of 83. He left behind a legacy of fantastic moonscapes, robots, and epic futuristic space stations.

McQuarrie started off drawing teeth and aeroplane parts for a dentistry firm and Boeing respectively, and created posters for the Apollo Space Program. His technical illustration ended up catching the eye of George Lucas, who commissioned him to create conceptual art work for his new film, Starwars.

“McQuarrie designed many of the film’s characters, including Darth Vader, Chewbacca, R2-D2 and C-3PO and drew many concepts for the film’s sets. It was McQuarrie who suggested that Vader wear breathing apparatus. McQuarrie’s concept paintings, including such scenes as R2-D2 and C-3PO arriving on Tatooine, helped convince 20th Century Fox to fund Star Wars, which became a huge success upon release in 1977.Neil Kendricks of The San Diego Union-Tribune stated McQuarrie “holds a unique position when it comes to defining much of the look of the “Star Wars” universe.”McQuarrie noted, “I thought I had the best job that an artist ever had on a film, and I had never worked on a feature film before. […] I still get fan mail — people wondering if I worked on Episode I or just wanting to have my autograph.” source

His work carved out a particular style within the sci-fi-fantasy genre, creating landscapes and worlds that one could really imagine inhabiting, vast alien vistas receding into the distance, populated with characters that, brought into our lives through cinema, feel like old friends.

“Ralph McQuarrie’s life can be clearly divided into two distinct sections: before Star Wars, he was an industrious, skilled, virtually unknown technical illustrator; after Star Wars, he became the most sought after Production Illustrator ever to work in films.
A primary reason for this change, of course, has to do with the film’s unprecedented success. But, in a very real sense, Star Wars wouldn’t have been the film it was without McQuarrie. His eyes and hands were the first lenses through which Star Wars was focused and captured for Lucas’ inspection and refinement.” source

You can find out more, and see more of his art on his website.

Sonya Fu

Say hello to the girls of Sonya Fu, an artist based in Hong Kong. She says her artworks are based on dreams, which she renders in a digital format, with intricate details, her doll like figurines emerging from moody backdrops. The colours and compositions make for striking illustrations, and the girls are both cute and creepy at the same time.