Presenting the lovely artwork of Aron Wiesenfeld

Tactile Illustrator Owen Gildersleeve

I got very excited when I came across Owen’s work. I truly love his handcrafted use of alternative materials in order to create something beautiful and communicative. The details in his cut out crunched up paper leaves and in his hand stitched poster is madness, patient-beautiful madness. Working from London, Owen’s as created illustrations for The TATE, The New York Times, Douglas & GordonMoney Magazine and The Guardian. I love that handmade design/illustration still has a place in this world where artworks are created by means of a mouse click. I hope you enjoy Owen’s work as much as I do.

Stacey Rozich and a beautiful Folktale

Born and raised in Seattle/Washington, Stacey tells stories of an early culture, where she explores the relationship between nature and animals. Her brightly coloured and ethnically textured characters give the viewer a sense of nostalgia, seem slightly frightening hidden behind their masks and at the same time appear familiar and inviting. Stacey draws inspiration from cultures all around the world. I love how she portrays her findings in such a fresh and beautiful manner. Have a look at her blog for more folk art.

Illustrations by Asaf Hanuka

While I was collecting examples of  Asaf’s work I started to notice that it looked very similar to Tomer’s work. I have subsequently learnt that they are in fact twin brothers. Asaf Hanuka and Tomer Hanuka. I posted Tomer Hanuka’s work fairly recently and I guess this is now in part acting as a follow up post.  Asafs work is equally good and one or two illustrations can be compared to Istvan Banyai in style.

Asaf also does a weekly comic which is a documentation of one family’s search of a home. Definitely worth checking out.

His subject matter is thought provoking and unique. I hope you enjoy his illustrations:

Paula Sanz Caballero lovely sewn illustrations

Quote from the artist: “I began to experiment with fabric and embroidery, and my technique evolves from the figurative pictorial concept to the sewn finish, drawing on the topics full of irony, tortuous relationships, crime and scornful feminine revenge. Since then, my artwork, as well as my graphic design illustrations have been based on this stylistic pattern.” Paula’s Website

I really love the tactile feeling of these sewn illustrations. Note that there are the full pieces and to each piece there is one relating zoomed image which you need to have a look at if you want to get a feeling for her work.